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Connexion Bizarre (2003/9/15 – 2011/12/27)

Our good neighbour webzine Wounds Of The Earth presents Volume IV of their compilation series and, as usual, the bar is set to a pretty high standard of dark electronics.

receiver. was created early in early 2002 under the name “Floppy Disk” by Jonny Darko, In early 2007, Floppy Disk suffered a major computer crash losing all music written the past five years. It was decided instead of trying to continue with all new music that a new project would be started. In 2007 receiver. was born

Available through Bandcamp, these compilations feature work by a variety of international artists, ranging from the obscure to the better known, such as Lucidstatic and Pandora’s Black Book (obviously), Tapage, Human Error, Mangadrive, NXV, SE, Yura Yura, Access To Arasaka, Famine, Dirk Geiger, Iammynewt, Millipede, Displacer, Valvegod, Tokee and others.

*Mille Plateaux is a label for experimental electronic music. Genres like Clickhop, Glitch, Clicks & Cuts etc. were largely influenced (and named) if not formed by the label.

Raumklang Music was founded in 2003 and is specialized in electronic music. Since its birth, it has released many successful albums including material by artists like Klangstabil or Patenbrigade Wolff. In 2009 a new chapter in the history of the publishing house was written and it turned its chief focus to IDM, Industrial and Electronica.

Tundra Dubs are a relatively new label, having just celebrated their first birthday, but what a year it has been for them having released some gorgeous releases to great critical acclaim. We spoke to Ben about why he started the label, why vinyl is so exciting for him, and what the next year might bring for Tundra Dubs.

Improvised expressions in regards to the passing of Peter Christopherson. Auditory grief and thanks to a true genius of the arts and its magic.

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The project of young French artist Ferdinand Legendre, Serial Industrie began in 2005 and, as a project, hasn’t stopped evolving. Since its inception the goal remains to illustrate a Nature coupled with recurring industrial vibrations, a “Cyber-Green universe” as it has been described by some.